Partitions

Original

Sancta Maria non est tibi similis. Anonymous. A cappella. Sacred , Antiphon. Language. Latin. ATT.

Traduction

Sancta Maria non est tibi similis. Anonyme. A cappella. Sacré, Antiphon. Langue. Latin. ATT.

Original

Transcribed from the Trent manuscripts tr87 and tr92. The time signatures, notes' values accidentals and colourings are as in the manuscript. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. The coloured notes are either hemiolæ or in “proportio sesquialtera”. 3 vs. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.

Traduction

Transcribed from the Trent manuscripts tr87 and tr92. Les signatures de temps, les valeurs les altérations et les colorants de notes sont aussi dans le manuscrit. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. Les notes colorées sont soit hemiolæ ou "proportio sesquialtera". 3 vs. Les valeurs des notes au sein de la "ligaturæ» sont les suivantes. la gauche upstemmed notes sont semi-brèves - les notes pédoncule sont brèves - le droit downstemmed notes sont longæ. Les "musica" ficta suggestions sont dans le MIDI et les fichiers MusicXML.