Partitions

Original

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Traduction

Plaudite tympana à 54. Heinrich Biber. Orchestre. Deux groupes de cordes. 2 violons, altos chacun 4. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompettes, timbales chaque. Deux organes, en continu. Sacré, Motet, Hymn. Langue. Latin. SSAATTBB–SSAATTBB.

Original

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Traduction

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Les forces vocales et instrumentales comprennent 16 voix solo et ripieno parties, et au moins 38 instruments. le continuo est supposée inclure une basse de viole entre autres instruments de basse, et éventuellement un autre instrument à clavier, en plus des deux organes. In this motet, only the second bass of the second choir lacks a designated solo part. Le score survit comme un manuscrit inscrit sur massives 80 centimètres de hauteur pages. Depuis l'époque de sa redécouverte à la fin du 19e siècle, le travail a été attribué au début du 17e siècle compositeur Orazio Benevoli. qui aurait été 23 ans à la date présumée de la composition. , Ou plus tard, Salzbourg compositeur Andreas Hofer, mais le savant Biber noté Ernst Hintermaier montré dans les années 1970 que Biber est le seul compositeur possible du travail.