Partitions $29.99

Original

Memento Mori -- An AIDS Requiem. James Adler. Choir sheet music.

Traduction

Memento Mori - Un Requiem sida. James Adler. Partition chorale.

Original

Memento Mori -- An AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Men's Choir. Choral Worship Cantata. Larger Works. Masterworks. Score. 20th Century. Masterwork. Sacred. 152 pages. Published by Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.

Traduction

Memento Mori - Un Requiem sida. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Chœur Sacré. Pour Orchestre. Le Chœur des hommes. Chorale culte Cantata. Grandes œuvres. Masterworks. Score. 20e siècle. Chef-d'œuvre. Sacré. 152 pages. Publié par Alfred Music. AP.44274. ISBN 1470620243. 20e siècle. Chef-d'œuvre. Sacré. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.