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Original

Piano Concerto in C minor, K. 491. Wolfgang Amadeus Mozart. Piano Solo sheet music.

Traduction

Concerto pour piano en ut mineur, K. 491. Wolfgang Amadeus Mozart. Piano Solo Partitions.

Original

Piano Concerto in C minor, K. 491. Autograph. Royal College of Music, London. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Robert D. Levin. For piano. Half-leather binding. Documenta musicologica II. 48. Facsimile. Text Language. English, German. 114 pages. Published by Baerenreiter Verlag. BA.BVK1927. ISBN 9783761819272. With Text Language. English, German. 28.2 x 34.3 cm inches. A fascinating insight into Mozart's art of composition Mozart's Piano Concerto in C minor K.491 is one of his best-known works in the genre, not least because of the special character of ist minor key. rarely encountered in Mozart's music. and the dramatic contrast between the soloist and orchestra. Equally unusual is the autograph manuscript. Here Mozart made an exception by producing sketches that he later enlarged and extensively revised for the score. On the one hand this allows us to retrace his creative process, on the other hand in some passages the definitive readings are almost illegible, especially in the piano part. This facsimile edition enables everyone to form their own opinion of the questionable passages. Mozart's work appears here for the first time in a colour facsimile, making it possible to easily recognise the contrasting colours of ink. The renowned Mozart scholar and pianist Robert D. Levin explains Mozart's method of composition and guides the reader page by page through the autograph.

Traduction

Concerto pour piano en ut mineur, K. 491. Autographe. Royal College of Music, London. Composé par Wolfgang Amadeus Mozart. 1756-1791. Edité par Robert D. Levin. Pour piano. Reliure demi-cuir. Documenta II musicologique. 48. Télécopie. Langue du texte. Anglais, Allemand. 114 pages. Publié par Baerenreiter Verlag. BA.BVK1927. ISBN 9783761819272. Avec Langue du texte. Anglais, Allemand. 28.2 x 34.3 cm inches. Un aperçu fascinant de l'art de Mozart du Concerto pour piano de Mozart dans la composition C K.491 mineur est une de ses œuvres les plus connues dans le genre, notamment en raison de la nature particulière de tonalité mineure ist. rarely encountered in Mozart's music. and the dramatic contrast between the soloist and orchestra. Equally unusual is the autograph manuscript. Here Mozart made an exception by producing sketches that he later enlarged and extensively revised for the score. On the one hand this allows us to retrace his creative process, on the other hand in some passages the definitive readings are almost illegible, especially in the piano part. This facsimile edition enables everyone to form their own opinion of the questionable passages. Mozart's work appears here for the first time in a colour facsimile, making it possible to easily recognise the contrasting colours of ink. The renowned Mozart scholar and pianist Robert D. Levin explains Mozart's method of composition and guides the reader page by page through the autograph.