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Original

Ne timeas, Maria. Choir sheet music.

Traduction

Ne timeas, Maria. Partition chorale.

Original

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Traduction

Ne timeas, Maria. No. 1 from Three Marian Motets. Composé par Ko Matsushita. Pour SSAA choeur. Carus contemporain. Musique chorale contemporaine. Avent, fêtes de la Bienheureuse Vierge Marie, chants de la Vierge Marie. Partition. Langue du texte. Latin. 8 pages. Publié par Carus Verlag. CA.964200. ISBN M-007-14351-0. Avec le langage du texte. Latin. Avent, fêtes de la Bienheureuse Vierge Marie, chants de la Vierge Marie. La composition de Matsushita se appuie sur des éléments de l'antienne grégorienne. Il commence dans le chant grégorien l'unisson, ce qui était typique des motets de la Renaissance, et le début de nouvelles lignes de texte sont également dérivés de matériels Grégorien. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Après avoir monté les grands arpèges D, le mot central "Jesu" rayonne dans fa dièse majeur, la répétition suivante dans la boussole d'une octave sur C est plus tranquille, achever paisiblement avec un accord majeur F, ppp.