Partitions $4.00

Original

United Nations. Grade 2.

Traduction

Nations unies. Grade 2.

Original

United Nations. March. Composed by King. Arranged by James Swearingen. Concert band. Heritage of the March Series. Audio recording available separately. item CL.WFR101. Grade 2.5. Extra full score. Composed 1992. Duration 2 minutes, 15 seconds. Published by C.L. Barnhouse. CL.012-2452-01. James Swearingen's bright new arrangement brings out the best in the most famous of Karl King's easier marches. Stirring melodies and counter melodies made King a "tunesmith" like no other and this arrangement is sure to become just as popular as Swearingen's previous treatments of "Alamo", "Coast Guards and "Allied Honor". Absolutely perfect for any concert or contest situation. Easy enough to be successfully performed by younger groups, but nice enough to be programmed by even the very best bands. Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style.

Traduction

Nations unies. Mars. Composé par le Roi. Arrangé par James Swearingen. Orchestre d'harmonie. Patrimoine de la série Mars. Enregistrement audio disponible séparément. article CL.WFR101. Grade 2.5. Extra full score. Composée 1992. Durée 2 minutes, 15 secondes. Publié par C.L. Barnhouse. CL.012-2452-01. James Swearingen's bright new arrangement brings out the best in the most famous of Karl King's easier marches. Stirring melodies and counter melodies made King a "tunesmith" like no other and this arrangement is sure to become just as popular as Swearingen's previous treatments of "Alamo", "Coast Guards and "Allied Honor". Absolutely perfect for any concert or contest situation. Easy enough to be successfully performed by younger groups, but nice enough to be programmed by even the very best bands. Pleine grandeur éditions de bande de concert des plus grands marches de tous les temps. Chacun a été fidèlement re-marqué pour accueillir l'instrumentation moderne et intégrer des pratiques de performance de style classique de mars.