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Original

Concertino. Istvan Szelenyi. Piano sheet music.

Traduction

Concertino. Istvan Szelenyi. Partition pour piano.

Original

Concertino composed by Istvan Szelenyi. Edited by Laszlo Szelenyi. For 2 pianos. This edition. ED 9568. Saddle-stitch. Piano Music. I. Szelenyi schrieb das "Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze. Tranquillo - Vivace. Zum 100. Geburtstag von I. Szelenyi am 8. 2004. Grade 4. Composed 1964. 52 pages. Published by Schott Music. SD.49013049. ISBN 9790001134064. This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic 'piano concerto without orchestra'. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This "Concertino" offers. young. piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.

Traduction

Concertino composed by Istvan Szelenyi. Edité par Laszlo Szelenyi. Pour 2 pianos. Cette édition. ED 9568. Piqûre à cheval. Piano Music. I. Szelenyi schrieb das "Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze. Tranquillo - Vivace. 100. Geburtstag von I. Szelenyi am 8. 2004. 4e année. Composée 1964. 52 pages. Published by Schott Music. SD.49013049. ISBN 9790001134064. This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic 'piano concerto without orchestra'. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This "Concertino" offers. young. piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.