Partitions $16.00

Original

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Traduction

Awatovi. Partition Basson. Clarinette Partition Solo.

Original

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Traduction

Awatovi composée par Daniel Baldwin. Pour Clarinette, Basson. Level 5. Publié par Imagine Musique. IG.CMS126. Les ruines Awatovi, situées en Arizona, avait une fois un village Hopi florissante, qui existe depuis plus de 450 ans avant leurs premiers visiteurs sont arrivés en 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, pour plus de 150 ans, a connu une coexistence pacifique assez avec les Espagnols après, mais dès 1700, est finalement arrivé à un affrontement entre traditionaliste Hopi et les catholiques convertis. Le résultat a été que les traditionalistes ont massacré les convertis, puis détruit le village. Symboliquement, la chute du village a marqué la fin de l'ingérence dans la vie espagnole Hopi. La ligne d'ouverture par le basson représente les intentions mixtes de ces premiers explorateurs dirigée par Coronado, et est destinée à véhiculer les deux voix de l'Amérique espagnole et autochtones. C'est aussi une vision de l'avenir à venir, une préfiguration hantise des belles ruines encore stériles à venir. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Bien que l'exploration de Coronado n'était pas sans conflit, j'ai choisi de mettre l'accent sur le caractère pacifique de sa mission. Il ya deux sections ici. les deux sont à saveur espagnole, mais le premier est représentatif de l'exploration, tandis que la seconde section est destinée à suggérer une chanson de feu de camp reflète ce que le voyage aurait pu ressembler à la nuit comme ils se sont reposés, bavardé, et chantaient des chansons. Cela nous mène à un mouvement de deux. Kiva. The Kiva murals were discovered in theAwatovi ruins. Elles sont les peintures représentant les rites et les cérémonies tribales Hopi. I have used the style of NativeAmerican flute music to portray this. Vient ensuite le Bugle Call, ou El Deguello, représenté et joué par le basson. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. La musique se déplace pour représenter l'attaque proprement dite, qui est représenté par un passage transitoire très dissonant et dramatique. Enfin, cercles Kiva retour à la matière d'ouverture dans une clé différente, symbolique du changement dans la perception du conquistador espagnol, Hopi descendant. Awatovi a été rédigé à la suggestion de mon bon ami Ric Jones, et a été soutenu par Richard Ramey et un consortium de joueurs de hautbois et basson. Merci à vous tous pour votre vision et le soutien de ce projet. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. La version clarinette, basson, piano et a été créée à la conférence de 2012 IDRS à Miami University of Ohio par Robert et Mary Nan Jordanie le 9 Juillet 2012.