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Original

Fantasias - First Dozen. Georg Philipp Telemann. Piano Method sheet music. Piano Solo sheet music.

Traduction

Fantasias - First Dozen. Georg Philipp Telemann. Fiche Méthode de Piano musique. Piano Solo Partitions.

Original

Fantasias - First Dozen composed by Georg Philipp Telemann. 1681-1767. Edited by R. Jones. For Piano. Easier Piano Pieces. Grades 4-7. Sheet Music. Published by ABRSM. Associated Board of the Royal Schools of Music. PE.9781854722522. ISBN 1-85472-252-2. Telemann composed three dozen Fantasias which were published in 1732. He deliberately set out to juxtapose the French and Italian styles with the first and third dozen having Italian titles and tempo markings and the second dozen French. The editorial aim of these albums has been to present a text that allows as stylish a rendering as possible bearing in mind that the majority of players will be pianists rather than harpsichordists. Marks of dynamics and of articulation have been added and so have harmony notes of inner parts which would have been improvised by the player in an 18th-century performance. "Fantasia in A minor, 1st Dozen, No. 10". "Fantasia in A, 1st Dozen, No. 9". "Fantasia in Bb, First Dozen, No. 11". "Fantasia in D minor, First Dozen, No. 2". "Fantasia in D, First Dozen, No. 1". "Fantasia in E minor, First Dozen, No. 4". "Fantasia in E, First Dozen, No. 3". "Fantasia in Eb, First Dozen, No. 12". "Fantasia in F minor, First Dozen, No. 6". "Fantasia in F, First Dozen, No. 5". "Fantasia in G minor, First Dozen, No. 8". "Fantasia in G, First Dozen, No. 7".

Traduction

Fantasias - First Dozen composed by Georg Philipp Telemann. 1681-1767. Edité par R. Jones. Pour Piano. Faciles Piano Pieces. Grades 4-7. Partitions. Publié par ABRSM. Associated Board de la Royal Schools of Music. PE.9781854722522. ISBN 1-85472-252-2. Telemann a composé trois douzaine Fantaisies qui ont été publiés en 1732. Il a délibérément voulu juxtaposer les styles français et italien avec la première et la troisième douzaine ayant titres italiens et des indications de tempo et la deuxième douzaine français. L'objectif de rédaction de ces albums a été de présenter un texte qui permet un rendu aussi élégant que possible palier à l'esprit que la majorité des joueurs sera pianistes plutôt que clavecinistes. Marques de dynamique et d'articulation ont été ajoutés et ont donc les notes d'harmonie de parties internes qui auraient été improvisées par le joueur dans un spectacle du 18e siècle. "Fantasia in A minor, 1st Dozen, No. 10". "Fantasia in A, 1st Dozen, No. 9". "Fantasia in Bb, First Dozen, No. 11". "Fantasia in D minor, First Dozen, No. 2". "Fantasia in D, First Dozen, No. 1". "Fantasia in E minor, First Dozen, No. 4". "Fantasia in E, First Dozen, No. 3". "Fantasia in Eb, First Dozen, No. 12". "Fantasia in F minor, First Dozen, No. 6". "Fantasia in F, First Dozen, No. 5". "Fantasia in G minor, Première douzaine, n ° 8". "Fantasia in G, First Dozen, No. 7".