Partitions $229.95

Original

Tombeau Facsimile. Pierre Boulez. Soprano Voice sheet music. Voice Solo sheet music.

Traduction

Tombeau Télécopieur. Pierre Boulez. Soprano Voix partitions. Solo Voice partitions.

Original

Tombeau Facsimile. Aus Dem Zyklus "Pli Selon Pli". Composed by Pierre Boulez. 1925-. Edited by Robert Piencikowski. For Soprano Voice, Orchestra. This edition. Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Facsimiles of the Draft Score and the First Fair Copy of the Full Score. 154 pages. Universal Edition #UE034972. Published by Universal Edition. PR.UE034972. To celebrate Pierre Boulez's 85th birthday and the 50th anniversary of Tombeau's world premiere, the Paul Sacher Foundation and Universal Edition are now publishing the two original manuscripts of the score for the first time. the pencil draft and a fair copy in different colored inks. These fine examples of high-quality reproductions are also the earliest evidence of Boulez's friendship with Paul Sacher, to whom the composer presented the scores in the early 1960s. The facsimiles are prefaced by an introduction, which places the work in an historical and aesthetic context and takes a look at the compositional techniques used. It is illustrated by a selection of manuscripts from different stages of the creative process, as well as other related documents. Not new issued, but now available.

Traduction

Tombeau Télécopieur. Aus Dem Zyklus "Pli Selon Pli". Composé par Pierre Boulez. 1925 -. Edited by Robert Piencikowski. Pour voix de soprano, Orchestre. Cette édition. Les fac-similés du projet de Score et la première Foire Copie du Full Score. Les fac-similés du projet de Score et la première Foire Copie du Full Score. 154 pages. Universal Edition #UE034972. Publié par Universal Edition. PR.UE034972. To celebrate Pierre Boulez's 85th birthday and the 50th anniversary of Tombeau's world premiere, the Paul Sacher Foundation and Universal Edition are now publishing the two original manuscripts of the score for the first time. the pencil draft and a fair copy in different colored inks. These fine examples of high-quality reproductions are also the earliest evidence of Boulez's friendship with Paul Sacher, to whom the composer presented the scores in the early 1960s. The facsimiles are prefaced by an introduction, which places the work in an historical and aesthetic context and takes a look at the compositional techniques used. It is illustrated by a selection of manuscripts from different stages of the creative process, as well as other related documents. Non nouvelles émises, mais maintenant disponible.