Partitions $30.95

Original

Differences. Carter Pann. Cello sheet music. Viola sheet music. Piano Accompaniment sheet music.

Traduction

Différences. Carter Pann. Partition violoncelle. Viola partitions. fiche d'accompagnement pour piano.

Original

Differences. For Cello Or Viola And Piano. Composed by Carter Pann. 1972-. Solo instrument with accompaniment. For viola. cello and piano. Contemporary. Score and set of performance parts. Standard notation. Composed FEBRUARY 14 1998. 25 pages. Duration 15 minutes. Theodore Presser Company #114-41389. Published by Theodore Presser Company. PR.114413890. With standard notation. contemporary. Pann's Differences is originally a suite for cello and piano, "comprised of five short movements, very much like a Baroque suite or partita. The individual pieces, however, are radically different from each other in style and content. Kennedy. Robert Carl, writing in Fanfare Magazine, said of Differences, "There's a very strong influence of middle Stravinsky, but there's also a wailing blues movement, and most happily, a third movement dance that is perhaps the first "neo-Gottschalk" piece I've ever heard. " We are pleased to present Pann's transcription of the work for viola. For advanced performers.

Traduction

Différences. For Cello Or Viola And Piano. Composé par Carter Pann. 1972 -. Instrument solo avec accompagnement. Pour alto. violoncelle et piano. Contemporain. Note et un ensemble de pièces de performance. Standard notation. Composed FEBRUARY 14 1998. 25 pages. Durée 15 minutes. Theodore Presser Company #114-41389. Publié par Theodore Presser Company. PR.114413890. Avec solfège. contemporain. Pann's Differences is originally a suite for cello and piano, "comprised of five short movements, very much like a Baroque suite or partita. The individual pieces, however, are radically different from each other in style and content. Kennedy. Robert Carl, writing in Fanfare Magazine, said of Differences, "There's a very strong influence of middle Stravinsky, but there's also a wailing blues movement, and most happily, a third movement dance that is perhaps the first "neo-Gottschalk" piece I've ever heard. " We are pleased to present Pann's transcription of the work for viola. Pour les artistes de pointe.