Partitions $65.00

Original

The One I Love Belongs to Somebody Else. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Traduction

The One I Love Belongs to Somebody Else. Partitions Musique. B-Flat Trompette partitions. fiche de Batteries musique. feuille de musique Percussion. Partition pour piano. Partition Trombone. Avancé.

Original

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for the Jimmie Lunceford Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8883. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trumpet 1. to C6. Trombone 1.

Traduction

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Édité par Jeffrey Sultanof et Rob Duboff. Tadd Dameron organisé par. Pour big band. 2 Saxophones alto, 2 Saxophones tenor, Saxophone Baryton, 3 trompettes, 3 trombones, guitare, piano, basse, batterie. Written for the Jimmie Lunceford Orchestra. Balançoire. Moyenne Difficile. Score and parts. Publié par Jazz Lines Publications. JL.JLP-8883. Tadd Dameron était un des compositeurs les plus influents. arrangeurs de la musique américaine. Né en 1917, il a écrit pour groupes dirigés par Jimmie Lunceford, Count Basie, Billy Eckstine. de nombreuses compositions originales tard effectuées par l'Gillespie Orchestra Dizzy ont été écrits à l'origine pour Eckstine. , Ted Heath et Tommy Dorsey. Il a également pris des dispositions pour Sarah Vaughan, Pearl Bailey et le sous-estimée Kay Penton. Dameron a mené divers groupes pour des concerts live et des enregistrements, et les musiciens qu'il a joué avec constituait une qui est qui de jazz. À un moment ou un autre de ses ensembles inclus Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane et Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Plages. Trompette 1. à C6. Trombone 1.