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J.S. Bach. Lord My God, My Heart And Soul Were Sore Distrest BWV 21 - Cantata For The 3rd Sunday After Trinity. Vocal Score. Sheet Music. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. SOP. ALTO. TEN. BASS. SATB. PFA. J.S. Bach.Traduction
J.S. Bach. Seigneur mon Dieu, mon coeur et âme était Sore Distrest BWV 21 - Cantate pour le 3e dimanche après la Trinité. Vocal Score. Partitions. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. SOP. HAUTE. RTE. BASS. SATB. PFA. J.S. Bach.Original
The cantata Ich hatte viel Bekümmernis dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.Traduction
La cantate Ich hatte viel Bekümmernis date des environs de 1713 et a probablement été réalisée pour la première fois cette année dans le Liebfrauenkirche à Halle. Son affectation à la troisième dimanche après la Trinité probablement seulement eu lieu l'année suivante. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.Recherches fréquentes