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Original

G. F. Handel. Let Thy Hand Be Strengthened. Coronation Anthem No.4. Sheet Music. Soprano, 2 Alto, Tenor, Bass, Piano. SAATB. PFA. George Frideric Handel.

Traduction

G. F. Haendel. Que ta main soit Renforcement. Coronation Anthem No.4. Partitions. Soprano, 2 Alto, Tenor, Bass, Piano. SAATB. PFA. George Frideric Handel.

Original

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem No. 4. 'Let Thy Hand Be Strengthened'. is the most modest of all the Coronation Anthems in its vocal and instrumental demands. It is quite accessible to the amateur choir, and is well suited to performance with keyboard accompaniment alone. needless to say, if two oboes and a few strings can be obtained the results will be even finer. For five-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by William Herrman.

Traduction

Si vous commandez plus de 10 copies, se il vous plaît appelez-nous au 44. 1284 725725 pour vérifier la disponibilité. Pour l'occasion du couronnement du roi George II et de la reine Caroline, qui a eu lieu à l'abbaye de Westminster le 11 Octobre, 1727, Handel a écrit quatre hymnes splendides et personnellement supervisé leur performance qui était, selon tous les rapports, d'une grande magnificence. Les quatre hymnes ont été accueillis avec enthousiasme, et un ou plusieurs d'entre eux a été effectuée à chaque couronnement britannique depuis 1727. Anthem No. 4. 'Let Thy Hand Be Strengthened'. is the most modest of all the Coronation Anthems in its vocal and instrumental demands. It is quite accessible to the amateur choir, and is well suited to performance with keyboard accompaniment alone. needless to say, if two oboes and a few strings can be obtained the results will be even finer. For five-part chorus of mixed voices with organ or piano accompaniment. Edité et à la réduction du clavier par William Herrman.