Partitions $9.39

Original

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Traduction

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Partitions. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Original

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Traduction

Être un tel compositeur prolifique, en particulier pour Voix et Piano Works, la musique de Gabriel Fauré se adresse toujours avec des attentes élevées. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. a commencé à recevoir de haute instruction musicale de qualité à partir de 10 ans à l'école Niedermeyer. Il a fini par devenir un élève de piano de Camille Saint-Saëns. La carrière de Fauré a vu lui succéder à Théodore Dubois comme organiste à l'église de la Madeleine à Paris et devenir professeur de composition au Conservatoire de Paris, tout en composant des œuvres sublimes. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.