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Original

Matthew Locke. Songs and Dialogues for Voice and Basso Continuo. Sheet Music. Voice and Basso Continuo. VCE. CONT. Matthew Locke.

Traduction

Matthew Locke. Chansons et dialogues pour voix et basse continue. Partitions. Voix et basse continue. VCE. CONT. Matthew Locke.

Original

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. and. D - D. A Dialogue between Apollo and Neptune. D - F. and. G - D. A Dialogue between Thirsis and Dorinda. E - G. and. C - E. Bone Jesu Verbum Patris. C - F sharp. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D sharp - G. The Passing Bell. D - F. with chorus. sop. F sharp - F nat. bass. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.

Traduction

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. et. D - D. A Dialogue between Apollo and Neptune. D - F. et. G - D. A Dialogue between Thirsis and Dorinda. E - G. et. C - E. Bone Jesu Verbum Patris. C - fa dièse. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D forte - G. Le glas. D - F. avec choeur. amadouer. F sharp - F nat. basse. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.