Composers

James Hotchkiss Rogers

Organ
Voice
Piano
Mixed chorus
Soprano
Men's chorus
Tenor
Baritone
Female chorus
Song
Religious music
Piece
Anthem
Choruses
Sonata
Secular choruses
Suite
Sacred songs
Psalms
by popularity

#

3 Organ Pieces3 Songs4 Organ Pieces4 Pieces for Organ4 Pieces for Piano, Op.535 Organ Pieces5 Quatrains from the Rubáiyát of Omar Khayyám6 Short Pieces

A

A Call to WorshipA Love NoteA PrayerArioso in the Ancient StyleAt Parting

B

Be Ye Therefore Followers of GodBerceuse in A majorBridal SongBut - They Didn't

C

CantilèneConcert Overture for Organ

E

Ecstasy

G

Graded Materials for the Pipe OrganGreat Peace Have They which Love Thy Law

I

I Will Wash My HandsIn MemoriamInternational Fantasy

L

Lift up Your HeadsLord, for Thy Tender Mercies' Sake

M

MadrigalMiniature SuiteMoods

O

Organ Sonata No.1Organ Sonata No.2Organ Sonata No.3Out of the Depths

P

Prelude and FughettaPreludes and IntermezzosProcessional March

R

Reverie

S

Sing, O Daughter of Zion!Some Reckon Time by StarsSonatinaSonatina No.2 in F minorSortie in F majorSuite No.1Suite No.2

T

The Lord is my StrengthThe Man of NazarethThe Ninety and NineThe Snow-StormThe StarThis is SheToccata No.2 in C minor

V

Valse reveuse

W

Wind SongWonderland Folk, Op.50
Wikipedia
James Hotchkiss Rogers (Fair Haven, Connecticut, February 7, 1857 – Pasadena, California, November 28, 1940) was an American organist, composer, teacher, music critic, and publisher.
James was born to Martin L. and Harriett Hotchkiss Rogers in Fair Haven, Connecticut, descended from a family of "old New England stock". He began studying piano by the age of twelve and organ with Clarence Eddy in Chicago. At the age of eighteen he went to Berlin, Germany, where he studied for two years with Carl August Haupt and Rohde, followed by two years in Paris, France, where he studied with Alexandre Guilmant, Henri Fissot, and Charles-Marie Widor. He worked for a year in Burlington, Iowa before moving to Cleveland, Ohio, where he established himself primarily as an organist. Rogers married Alice Abigail Hall on 20 October 1891 and had two children, Stewart and Marian.
In addition to his organist positions at the Euclid Avenue Temple (a position he held for 50 years), he taught at the Cleveland School of Music and served as a critic for the Cleveland Plain Dealer. He was not a harsh critic: even when Isadora Duncan danced in an outrageous red costume in 1922, Rogers simply wrote, "all things considered, the orchestra did very well." Rogers explained his role was not to discourage but rather to encourage and advise. He also published some of his own music and those of others.
Upon his retirement from the Cleveland School of Music, he was honoured by 500 musicians and friends at a farewell dinner. He moved to Pasadena, California, where he died. He was buried in Lake View Cemetery.
In 1946, the Cleveland Orchestra dedicated a program to music by Rogers. A portrait, painted by Mary Seymour Brooks, was presented to the Western Reserve Historical Society a year later.
Rodgers was a prolific composer, writing about 550 works. He composed organ works, church music, and over 130 art songs.
He also composed lighter secular partsongs, Christmas and Easter cantatas, several Mass settings, and temple service music.
Rogers also published several pedagogical volumes for the piano, and he edited and published several volumes of organ pieces from a variety of sources.