Traduction: Le garçon de bureau. Partitions vocales. Anglais, Ludwig.
Traduction: The famous St. John hymn from which Guido d'Arezzo took the notes' names, but using another melody. Anonyme. Langue.
Traduction: The time signatures, notes' values, and colourings are as in the manuscript. Anonyme. A cappella. Langue. Latin. ATT.
Traduction: Anonyme. A cappella. Langue. Latin. SATT. A Blessed Virgin Mary hymn by Venantius Fortunatus. 530-609.
Traduction: Sacred , Office hymn variously assigned to the marian feasts of the Nativity or the Purification. Anonyme.
Traduction: Two different polyphonic settings of the hymn, transcribed from the Trent manuscript tr88. Anonyme. Langue. STT.
Traduction: the left upstemmed notes are semibreves - the unstemmed note are breves - the right downstemmed notes are longæ. Latin.
Traduction: Anonyme. Langue.
Traduction: The Contra has been derived from the Superius following the “faulx bourdon” technique. Anonyme. A cappella. Langue.
Traduction: Anonyme. Sacré, hymne Bureau de la commune des Martyrs. Langue. Latin. "Commune martyrum" hymne transcrit à partir du manuscrit TR88 Trent.
Traduction: A solis Ortus. À ne pas confondre avec le réglage en 3 parties par le même compositeur. Sacré, Motet, hymne Bureau pour Noël. Langue. SATB.
Traduction: A cappella. Langue. Latin. ATTB.
Traduction: Sacré, Motet, hymne Bureau de la dédicace d'une église. Langue. Latin. SATB. a single verse.
Traduction: Si bona Suscepimus. Sacré, Motet, Répons de l'Office of the Dead. Sacré, Motet, Répons de l'Office of the Dead.
Traduction: There are the following variants on the standard text. A cappella. Langue. Latin. SAATB.
Traduction: Christe Redemptor omnium, conservation. Giovanni Pierluigi da Palestrina. Langue. SATTB. In alternatim, odd verses.
Traduction: Langue.