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First Ad

Partitions
Original: Ein deutsches Requiem, Op. 45. piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib. Johannes Brahms.

Traduction: , violins à 3, violas à 3, violoncellos à 3, contrabasses à 2, organ ad lib. at least doubled. Description. y compris les apocryphes.

Partitions
Original: Istorum est enim regnum celorum. Sacred , Antiphon at First Vespers for the Common of Several Martyrs. Anonymous. A cappella. Latin.

Traduction: Commune plurimorum martyrum, antiphona ad Magnificat in I Vesperis. Anonyme. Langue. SAA.

Partitions
Original: Miserere nostri, Domine. Two sections, first part is Ad te levavi oculos meos. Giovanni Pierluigi da Palestrina. A cappella.

Traduction: Sacré, Motet. Langue. Latin. SATB.

Partitions
Original: O taste and see. for the 14th Sunday in Ordinary Time or ad libitum use. Charles H. Giffen. A cappella. Sacred , Antiphon , Motet.

Traduction: Goûtez et voyez. Sacré, Antiphon, Motet. Langue. Anglais. ATB. This is the Communion Antiphon with Psalm verses.

Partitions
Original: Psalmen Davids sampt etlichen Moteten und Concerten , published Dresden, 1619. Composer. Heinrich Schütz. Heinrich Schütz. List of works.

Traduction: Compositeur. In the instrumental listings below, almost all of the ensembles described as instruments. Liste des œuvres.

Partitions
Original: Agenda Defunctorum - Ad Matutinum - In II Nocturno. Antiphons and first reading for the 2nd nocturn in the Matins of the Dead.

Traduction: Juan Vasquez. A cappella. Sacré, Motet. Langue. Latin. SATB.

Partitions
Original: Precamini felicitatem. Organ ad lib. First sung at the Perse commemoration, December, 1890. Charles Wood. Sacred , Anthem.

Traduction: Organe ad lib. Sacré, Anthem. Langue. Latin. SATB. Composed for commemoration days of Gonville and Caius College, Cambridge.

Partitions
Original: Ad te levavi. which form the Introit for the First Sunday in Advent. Robert Hugill. A cappella. Language. Latin. SATB.

Traduction: Sacred , Motet - Introits for Advent I. Langue. A setting of verses 1-3 from Psalm 25. Latin Vulgate Psalm 24.

Partitions
Original: Dominus dixit ad me. Robert Hugill. A cappella. Sacred , Motet. Introit for Midnight Mass. Language. Latin. SATB. Christmas motet.

Traduction: A setting of verses from Psalm 2 which form the Introit for the Nativity of Our Lord - First Mass at Midnight. Sacré, Motet. Langue.

Partitions
Original: Vide Domine. First published in 1722 as verse 14— Versetto circolare , "Docebo iniquos vias tuas. Jan Dismas Zelenka. A cappella.

Traduction: et impii ad te convertentur"—of the Miserere in D minor. SATB. ZWV 56. This setting is the composer's own contrafactum. or parody.

Partitions
Original: Domine ad adiuvandum. Claudio Monteverdi. Sacred , Motet. Language. Latin. SSATTB.

Traduction: 2 cornetti, 3 trombones, 2 violins da brazzo, 4 viuola da brazzo, contrabasso da gamba, basso continuo. Sacré, Motet. Langue.

Partitions
Original: Tristis est anima mea. – Title of the first printing from 1611. Responsoria Sanctae Spectantia Et Alia Ad Officium Hebdomadae.

Traduction: Tristis intérêt anima mea. Carlo Gesualdo. A cappella. Sacré, Motet. Langue. Latin. SSATTB. Responsorium 2 für die 1.

Partitions
Original: Plange quasi virgo. – Title of the first printing from 1611. Responsoria Sanctae Spectantia Et Alia Ad Officium Hebdomadae.

Traduction: Carlo Gesualdo. A cappella. Sacré, Motet. Langue. Latin. SSATTB. Nocturno 1, Response no. 3 of the Tenebrae Responsories for Holy Saturday.

Partitions
Original: A little flock from Iceland. Peter Bird. SATB chorus, brief SATB solos, flute, and violin. Secular , Partsong. Language. English. SATB.

Traduction: Laïque, Chanson. Langue. Anglais. Romantic in style. Modern in harmony. 17.

Partitions
Original: Membra Jesu Nostri. II. Ad genua. Concerto Ad ubera portabimini. Dietrich Buxtehude. 2 violins, 2 violas. da gamba. knees.

Traduction: In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. gambe. , Basso continuo. CPDL # 18641.

Partitions
Original: Verba mea auribus percipe, Domine, SWV 61. First part. Second part is Quoniam ad te clamabo, Domine. Heinrich Schütz. Latin.

Traduction: Basso continuo. Sacré, Motet. Langue. SATB. Première partie.

Partitions
Original: Quoniam ad te clamabo, Domine, SWV 62. first part is Verba mea auribus percipe. Heinrich Schütz. Basso continuo. Language.

Traduction: Sacré, Motet. Langue. Latin. SATB. Deuxième partie. The underlay substitutes clamabo for the Vulgate's orabo.

Partitions (PDF)
Original: Elgar, Edward. First edition. First edition. ad libitum. Cockaigne Overture "In London Town". Op.40. Elgar, Edward.

Traduction: Orchestre. Partitions complètes. Première édition. Partitions complètes. Première édition. Percussions.

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