Traduction: Anonyme. Sacré, messe. Langue. ATT. Transcrit à partir du manuscrit TR87 Trent.
Traduction: The notes within square brackets are the editorial rendering of illegible notes. TR92. Anonyme. A cappella. Sacré, Antiphon. Langue.
Traduction: Anonyme. Sacré, messe. Langue. Transcrit à partir du manuscrit TR88 Trent, le Tenor est tiré de la chanson de l'Binchois dépose une marier.
Traduction: The complete absence of the text in the Tenor and Contra may suggest an intrumental performance of these two voices. Anonyme.
Traduction: The groups of coloured notes with minimæ are in "proportio sesquialtera". Anonyme. A cappella. Sacré, antienne votive. Langue. Latin.
Traduction: In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". A cappella. Sacré, messe.
Traduction: John Brassart. A cappella. Langue. SAT. “Introitus pro Virgine” transcribed from the Trent manuscripts tr93.
Traduction: The coloured groups of notes containing minimæ and all those in “tempus imperfectum diminutum” are in “proportio sesquialtera”. ATT.
Traduction: The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. ATT.
Traduction: Yet, they perhaps divulge much about the composer's apparently fatalistic view of death and afterlife. Ludwig van Beethoven.
Traduction: L'île de Innisfree du lac. To reflect the different moods and rhythms of these stanzas, the time signature changes from 3.
Traduction: Time may be long and full length of days giv'n, Eternity promising life without end. Écrivain inconnu. Anglais.
Traduction: Violon E cordes.
Traduction: Lecture à vue pour Band, Livre 2. Baryton Corne TC partitions. Grade 2. Lecture à vue pour Band, Livre 2. Baryton T.C. Southern Music.
Traduction: His works range from chamber pieces and Choral compositions to chamber opera and full-length ballet. Nous Tal Vez Météo. Partitions.
Traduction: Le Casse-Noisette. Overture et Trépak. Peter Ilyich Tchaikovsky. Le Casse-Noisette. Overture et Trépak. 1840-1893. Concert Band.
Traduction: The third movement is, unusually, slow and soft, which is again contrasted by the ferocity of the final movement, which ends ffff.