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It S Working

Partitions
Original: The Whole Booke of Psalmes. Te Deum S. Amb.. O all ye works of God the Lord. The wicked with his works unjust.

Traduction: Le total des Booke de Psalmes. How ever it be, yet God is good. It is a thing both good and meet.

Partitions
Original: William Byrd. The title-page of Byrd's final publication reads Psalmes, Songs, and Sonnets. List of works.

Traduction: It has been suggested that viol-playing came once more into fashion in the early years of the seventeenth century.

Partitions
Original: Rex virtutis. There is nothing by this title in Grove Music's work list for Palestrina. Giovanni Pierluigi da Palestrina. ATB.

Traduction: list this as a motet, so for the moment, it is tagged as such. A cappella. Sacré, Motet. Langue. Latin. Several entries in WorldCat.

Partitions
Original: Al subir para el empíreo. Although the 4th part is described as "tenor" the manuscript uses the alto clef for it. José de Torres.

Traduction: It is within the contralto range and is quite high for a tenor. José Torres. Ensemble à cordes. Sacré, Carol. Langue. Espagnol.

Partitions
Original: Falalalán Falalalera. Anonymous. sometimes attributed to Bartomeu Cárceres or Mateo Flecha el Viejo. A cappella. Secular , Villancico. SATB.

Traduction: Anonyme. Laïque, Carol. Langue. Espagnol. On the other hand, there exists also an exact contrafactum of this piece with a.

Partitions
Original: Alleluia Sancta Dei Genitrix. It was St. Anneâ's day, 26th of July in 1519, when the inauguration of this church took place.

Traduction: The work was never published. Anonyme. A cappella. Sacré, Motet. Langue. Latin. SATB. résidant à Wittenberg depuis 1486.

Partitions
Original: Missa quarti toni. Gregorio Allegri. attributed to Allegri, probably not authentic. A cappella. Sacred , Mass.

Traduction: Sacré, messe. Langues.

Partitions
Original: Ave Maria. Jerónimo de Aliseda. A cappella. Sacred , Motet. Language. Latin. SSATB. Mick Swithinbank.

Traduction: Jérôme Aliseda. Sacré, Motet. Langue.

Partitions
Original: Abendempfindung an Laura. It is the longest lied Mozart ever composed. Wolfgang Amadeus Mozart. Piano. Secular , Lied. Solo Soprano.

Traduction: , and the verses well represent one of the peculiar aspects of Mozart's personality. Plan. Laïque, Lied.

Partitions
Original: Bleib bei uns Herr. Both composers worked in Dresden, so it is supposable that Praetorius found the piece there. A cappella.

Traduction: It seems that Praetorius copied Antonio Scandello's " Bona Sera " and changed the text as well as some rythms and notes. SATB.

Partitions
Original: Rest. Doddridge ," 1702-1751, but these lyrics could be not be found in Doddridge's Hymns Founded on Various Texts , 1755. 88.

Traduction: Reste. Rippon's Hymn 214 is L. M. D.. , whereas Holden's work is L. M.. Oliver Holden. A cappella.

Partitions
Original: Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159. In the 19th century it was attributed to his uncle Johann Christoph Bach.

Traduction: Je ne vais pas te laisser, que tu ne me aies béni, BWV Anh. 159. Johann Sebastian Bach. A cappella. Sacré, Motet. Langue. Allemand.

Partitions
Original: Gloria in Excelsis. Charles Villiers Stanford. Organ. Sacred , Anthem. Language. English.

Traduction: Organe. Sacré, Anthem. Langue. Anglais. SSATB.

Partitions
Original: Ave Maria. whilst even a less experience one should be able, with a little work and patience, to take on the piece successfully.

Traduction: David Monks. A cappella. Sacré, Motet. Langue. Italien. SATB avec des lignes divisées.

Partitions
Original: Ave Maria. Even today, it is considered one of the most nearly perfect compositions of its era. Josquin des Prez. A cappella. Latin.

Traduction: Sacré, Motet. Langue. SATB. moins de mélismes, pièces Ensemble avec seulement deux voix.

Partitions
Original: The Music Makers, Op. 69. It was first performed at the Birmingham Festival on 1 Oct 1912. Edward Elgar. Orchestra. Language. SATB.

Traduction: Les Music Makers, op. 69. Orchestre. Laïque, Cantata. Langue. Anglais. Il fut créé au Festival de Birmingham le 1 octobre 1912.

Partitions
Original: Te Deum laudamus in E flat. This was Sullivan's last completed work. Arthur Sullivan. Organ. Sacred , Morning Canticles.

Traduction: It was commissioned by the Dean & Chapter of St Paul's Cathedral, in anticipation of victory in the South African. Organe.

Partitions
Original: Non vos relinquam Orphanos. s1 s1 s1 s1 g,4. s1 s1 a4. I will not leave you Comfortless.

Traduction: Non Vos relinquam Orphanos. It is appropriate for Easter 6 , Ascension , Easter 7 or Pentecost. Charles H. Giffen. a capella.

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