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Time After Time

Partitions
Original: " Time after Time ", из мюзикла " Это случилось в Бруклине ", транскрипция для смешанного хора. ансамбля. а-капелла.

Traduction: "Time after Time", de la comédie musicale "It Happened in Brooklyn", transcription pour choeur mixte. Ensemble.

Partitions
Original: Benedic, anima mea, Domino. Sacred , Motet , Offertory for Friday after Lent I , now assigned to Ordinary Time 31. A cappella.

Traduction: Orlando di Lasso. Sacré, Motet, Offertoire pour le vendredi après carême I, désormais affecté à temps ordinaire 31. Langue. Latin. SATB.

Partitions
Original: Benedic, anima mea, Domino. Sacred , Motet , Offertory for Friday after Lent I , now assigned to Ordinary Time 31. A cappella.

Traduction: Orlando di Lasso. Sacré, Motet, Offertoire pour le vendredi après carême I, désormais affecté à temps ordinaire 31. Langue. Latin. SATB.

Partitions
Original: Benedic, anima mea, Domino. Sacred , Motet , Offertory for Friday after Lent I , now assigned to Ordinary Time 31. A cappella.

Traduction: Orlando di Lasso. Sacré, Motet, Offertoire pour le vendredi après carême I, désormais affecté à temps ordinaire 31. Langue. Latin. SATB.

Partitions (PDF)
Original: Traditional. TIME AFTER TIME AFTER TIME. TIME AFTER TIME AFTER TIME.

Traduction: Traditionnel. TEMPS après temps. Traditionnel. Jazz Quartet. Anderson, Gustav. TEMPS après temps.

Partitions (PDF)
Original: BEC, MAURICE. After Time. Extrait d'une Suite pour Saxophones. BEC, MAURICE. BEC, MAURICE. Main sheet music.

Traduction: Feuille principale musique.

Partitions
Original: Time after time. Piano.

Traduction: Plan.

Partitions
Original: Time After TIme. Violin.

Traduction: Violon.

Partitions (PDF)
Original: - NON-CLASSICAL. Cyndi Lauper - Time After Time.

Traduction: - Non-classique.

Partitions (PDF)
Original: - NON-CLASSICAL. Time After Time. - Anything Real, Fake, Book. Great Gig Book.

Traduction: - Non-classique. - Tout Real, Artificiel, Book. Grande Gig Book.

Partitions
Original: Salve festa dies III. The time signature is missing in all the voices. Anonymous. A cappella. Sacred , Hymn. Language. Latin. ATB.

Traduction: to be repeted after each verse and with a puzzling alternative final. Anonyme. Sacré, Hymn. Langue.

Partitions
Original: Salve festa dies II. The time signatures, notes' values and accidentals are as in the manuscript. Anonymous. A cappella. Language.

Traduction: Anonyme. Sacré, Hymn. Langue. Latin. STT. Une procession hymne de Pâques par Venance Fortunat transcrit à partir du manuscrit tr89 Trent.

Partitions
Original: Missa Fons bonitatis. The time signatures, notes' values and colourings are as in the manuscript. Anonymous. A cappella. Language.

Traduction: In the Sanctus the notes after the number “3” are in “proportio sesquialtera”. Anonyme. Sacré, messe. Langue. Latin. ATB.

Partitions
Original: Regina coeli. Can be used as the final song after the Sunday Mass. W. Kosminski. Organ or piano. Language. Latin. SATB.

Traduction: This is the Antiphon of B. V. M. for the Easter time, sung at the end of "Completorium", the last Liturgical Hour of the day. Langue.

Partitions
Original: Non vos relinquam Orphanos. \clef bass \time 4. I will not leave you Comfortless. Charles H. Giffen. a cappella. Sacred , Motet.

Traduction: Non Vos relinquam Orphanos. a capella. Sacré, Motet. Langues. Latin, anglais.

Partitions
Original: Within your temple. Introit for the 14th Sunday of Ordinary Time. Eighth Sunday after Pentecost. Charles H. Giffen. Language.

Traduction: A cappella. Sacré, Introït. Langue. Anglais. SATB. The Gloria Patri is set to an Anglican chant.

Partitions
Original: Al Cielo occhi simili. Domenico Mazzocchi. A cappella. Secular , Madrigal. Language. Italian. SSATB.

Traduction: Laïque, Madrigal. Langue. Italien.

Partitions
Original: Lidia ti lasso. Domenico Mazzocchi. Basso Continuo. Secular , Madrigal. Language. Italian. SSATB.

Traduction: Continuo. Laïque, Madrigal. Langue. Italien.

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